Though the exact date hasn’t been established publicly, it must have been some time during the second or third re-write in early 1990 when actor Michael Biehn was gearing up for his expected role in the upcoming sequel to the 1986 hit “Aliens”. The producers had at least outlined a part for him since Sigourney Weaver was reluctant to come back for another go. And in his mind, at least, there was this sort of white bread nuclear vision—comprised of the survivor trio that left LV-426—battling the alien menace across the galaxy as one big happy family. Just like Weaver’s famed heroine Ellen Ripley would have wanted.
But when he was alerted to the fact that his character would be killed off in the third installment of the “Alien” franchise his disgust was genuine. And he wouldn’t have been the only one.
WTF?
WTF indeed! We stand for Films, Tunes, and Whatever else we feel like (not necessarily in order!) Professor Nonsense heads the 'Whatever' department, posting ramblings ranging from the decrepit, to the offbeat, to the just plain absurd! The mysterious Randor takes helm of the 'Tunes' front, detailing the various melodic messages he gets in earfuls. Weekly recommendations and various musings follow his shadows. Finally, our veteran movie critic, Lt Archie Hicox, commands the 'Film' battlefield, giving war-weathered reviews on flicks the way he sees them. Through the eyes of a well-versed renegade, he stands down for no man! Together we are (W)hatever(T)unes(F)ilms!
Feel free to comment with your ideas, qualms, and responses, or e-mail them to RandorWTF@Hotmail.com!
Showing posts with label David Fincher. Show all posts
Showing posts with label David Fincher. Show all posts
Sep 23, 2011
Oct 31, 2010
Soundtrack of a Script: "The Social Network"
You’d think a movie about something as commonplace as Facebook would be pretty milquetoast, right? What would it be about, anyway? The innovation of the status update? The intricacies of app requests? The art of the Facebook stalk? As uninteresting as all that sounds the movie is actually nothing like what you’d expect. Therefore I can only come to the logical conclusion that screenwriter Aaron Sorkin chose the title “The Social Network” (from his adaptation of the book “The Accidental Billionaires”) to deliberately avoid any affiliation between our everyday familiarities with Farmville and the “true story” of Facebook founder Mark Zuckerberg.
And the score. Don't forget that wonderful score.
And the score. Don't forget that wonderful score.
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