Long ago, when this blog first stepped into the cesspool of Internet creations, there were many dreams and ideas in terms of content. I guess real life has delayed many recurring articles and editorials, but I've never lost sight of them. Stored away in a little folder, there sits idle a dossier of everything that never was. Poll ideas, lost features like Up Top, ones without a follow-through, such as Music Musings. Then ya got never seen thoughts, including posts detailing Commercial Jingles and Movie Musicals, and finally, the forgotten periodical- the most applicable of which last appeared a tad more than eight months ago: Soundtrack of a Script (SoaS).
Back then, we were still experimenting with the voice of the blog, but the message has remained stationary. Music, movies, and their intersection. What better crossroads could there be than SoaS, then? For those clueless, this set of articles intended to document those instances in film where the soundtrack exceptionally played into the emotions of the scene. Acrobatic expertise amplifying the impact of both song and screen. I shoot for the unconventional, but nothing says composed scores cannot peek their heads into my writings. In any case, I decided to send up a couple more examples into the mix, and hopefully we can drip some oil onto the gears of this blog for some long needed momentum.
